Bob Willoughby
Bob Willoughby was born in Los Angeles, California on June
30th 1927. He pursued photography after receiving an Argus C-3
camera for his 12th birthday.
After high school, he studied cinema at night at the USC
Cinema Department and design with Saul Bass at the Kahn Institute of Art. Willoughby
studied photography at the film school at the University of Southern California
and worked under graphic designer Saul Bass at the Kahn Institute of Art. At
the same time he apprenticed with a number of Hollywood photographers; Wallace
Seawell, Paul Hesse, and Glenn Embree, gleaning technical and business
know-how. His first magazine assignments were for Harper’s Bazaar in the early '50s when famed art director Alexey
Brodovitch became aware of his work.
Between 1948 and 1954, his exhibitions of photographs of jazz
musicians and dancers led to a contract with Globe Photos. Later, he worked for
Harper's Bazaar magazine where
his photographs illustrated arts and culture articles.
His career took a turning point in 1954 he was assigned by
six magazines when Warner Bros. asked him to photograph Judy Garland’s final
scene on the set of A Star is born. His portrait of the star became his first
“Life” cover and from then on his work was phenomenal. His images were in print
every single week for the next 20 years. As the first “special” he covered the
making of over 100 films, including the 1960s movies The Graduate, My Fair
Lady, Rosemary’s Baby
and Who’s Afraid of Virginia Woolf?.
Willoughby
continued to photograph for the rest of his life. He lived in Ireland for 17
years where he used his photographic skills to illustrate ancient Irish poetry
text with photographs of the countryside. He also authored books on photography
and other subjects. He lived his last years in Vence, France, where he
continued a very active professional life. He died of cancer on 18 December 2009.
Bert Stern
Bert Stern was a commercial photographer (October 3, 1929 –
June 26, 2013) during the time Marilyn Monroe was alive. He was born in
Brooklyn, New York. His father worked as a children’s portrait photographer
which is where Stern got the inspiration from to be a photographer. Stern had
dropped out of high school when he was 16 to get a job in the mall room at
“Look” magazine. He then became an art director at “Mayfair” magazine where he
learnt how to develop film and make contact sheets which led to him to make his
own pictures. In 1951, Stern was drafted into the US Army and was sent to Japan
and was assigned to the photographic department. In the 1960s, his heavy use of
amphetamines, led to the destruction to his marriage to Allegra Kent, a
ballerina.
By the late 1970s Stern returned to the U.S. to photograph
portraits and fashion. His first professional assignment was in 1955 when for
Madison Avenue advertising agency for “Smirnoff Vodka”. His best known work is
arguably is his book “The Last Sitting”, it is a collection of 2,500
photographs that he took of Marilyn Monroe for “Vogue” magazine over a three
day period which had occurred six weeks after her death. He published the book
in 1982 and then re-released in 2000.
Stern has also photographed Audrey Hepburn, Elizabeth
Taylor, Madonna, Kylie Minogue, Drew Barrymore and Lindsey Lohan, recreating
“The Last Sitting” among others, in addition to his work for advertising and
travel publications.
Bert
Stern produced and directed “Jazz on a Summer’s Day” in 1959 which was a
documentary of the 1958 Newport Jazz Festival.
Terry O’Neil
He was born on July 30th 1938 in London, UK. His
main field of work was documenting the fashions, styles, and celebrities of the
1960s. His work has been featured in many exhibitions. He was awarded The Royal
Photographic Society's Centenary medal 'in recognition of a sustained,
significant contribution to the art of photography' in 2011.
His career started off with him photographing in the
Heathrow Airport in London. He then found further employment on Fleet Street with The Daily Sketch in 1959. His first professional job
was photographing Laurence Olivier. O’Neil’s reputation defiantly grew in the
1960s; in addition to photographing the decade’s show-business elite such as Judy
Garland, The Beatles and The Rolling Stones. He has also photographed member of
the Royal Family and some politicians; he portrayed them in a more humanized
way than they are usually portrayed.
Terry O’Neil’s iconic photos are of Elton John are among his
most well-known. A selection of these photos made an appearance in the 2008
book Eltonography. Also considered his most famous images are the ones he took
of Faye Dunaway and American actress, also his girlfriend at the time. This
photo shoot took place at dawn on 29th March 1977, lounging next to
the swimming pool at the Beverly Hills Hotel, the day after she had won Academy
Award for Best Actress. The series was photographed in both colour and black
and white; these can be found in the National Portrait Gallery in London.
In his personal life, he was in a long term relationship with
Faye Dunaway. His son Liam Dunaway O’Neil was born in 1980. Terry was married
to Faye from 1983 until 1986.
O'Neill was also credited (as Terrence O'Neill) as an
executive producer of the 1981 film Mommie Dearest. His only other film credit
was for still photography for the 1987 film, Aria.
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